> The UV range of the spectrum has no predefined colours, so we are free to assign any colour we like. There are no rules set in stone for this at all. I set out my UV work using film, so in principle would like the "film UV colours" (blue with UV absorbance often shown in reddish hues) to prevail. Different spectral response of the UV bandpass filters applied in these years, in conjunction with changing behaviour of the digital cameras and their RAW-file converters, have made this aim impossible to uphold. Thus, don't compare colours, compare patterns. I'm currently writing a tutorial on how the UV "colours" are created and how they should be interpreted, but for the time being, just enjoy the images like the pollinators enjoy their targeted flowers.

> Ультрафиалет это не такие случайно "синие" лучи, которыми еще деньги смотрят и невидимые надписи проявляют?

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